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Complete Works

Choral

When Thunder Comes (2017)

for SSAA chorus, piano, and opt. taiko or percussion, ca. 3'30''

commissioned by San Diego Women's Chorus, Kathleen Hansen, conductor and Seattle Women's Chorus, Paul Caldwell, conductor

text: J. Patrick Lewis

Crossing (2017)

for TTBB chorus and piano, ca. 4'

commissioned for the Seattle Men’s Chorus, Paul Caldwell, conductor

text: Amir Rabiyah

Of More Heroic Temper (2016)

for TTBB chorus and piano, ca. 4'

commissioned for the San Francisco Gay Men's Chorus, Tim Seelig, conductor

text: Amy Lowell

When Thunder Comes (2016)

for SATB chorus, piano, and opt. taiko or percussion, ca. 3'30''

commissioned for One Voice Mixed Chorus (St. Paul) in collaboration with Mu Daiko, Jane Ramseyer Miller, conductor

text: J. Patrick Lewis

I Flow... I Am (2016)

for SATB chorus a cappella (div.), ca. 4'

commissioned for South Salem High School Symphonic Choir of Salem, Oregon, Will McLean, conductor

text: Rainer Maria Rilke

Patterns on the Snow (2016)

for SSAA chorus and piano, ca. 4'

commissioned for American Choral Directors Association (ACDA) Women's Choral Consortium, including 39 high school, collegiate, community, and professional ensembles in 19 States and British Columbia

text: May Sarton

Le Colibri (The Hummingbird) (2015)

for SSA chorus and piano, sung in French, ca. 3'30''

arrangement of Chausson's song of the same title

text: Leconte de Lisle

Les Papillons (The Butterflies) (2015)

for SSA chorus and piano, sung in French, ca. 1'30''

arrangement of Chausson's song of the same title

text: Théophile Gautier

Look Down, Fair Moon (2015)

for SA chorus (div.) and piano, ca. 3'

commissioned by the Texas Music Educators Association Region 2 for the All-District Treble Choir 2015, Cheryl Wilson, conductor

text: Walt Whitman

Our Phoenix (2015)

for SATB chorus, piano, and trumpet, ca. 4'

commissioned for The Esoterics of Seattle, One Voice Chorus of Charlotte, One Voice Mixed Chorus of St. Paul, River City Mixed Chorus of Omaha, Singing Out of Toronto, and Voices of Kentuckiana of Louisville for GALA Choruses Festival 2016

text: Amir Rabiyah

The Cloths of Heaven (2014)

for SSA chorus and piano, ca. 4'

arranged in collaboration with Coppell High School Advanced Treble Choir, Will McLean, director, Coppell, Texas

text: William Butler Yeats

Du bist wie eine Blume (You Are like a Flower) (2014)

for TTB chorus and piano, sung in German, ca. 1'30''

arrangement of Schumann's song of the same title

text: Heinrich Heine

Cantares (New Songs) (2013)

for SSA chorus a cappella (div.), sung in Spanish, ca. 3'

commissioned for Winter Park High School Belle Chanson, Joseph Kemper, director, Winter Park, Florida

text: Federico García Lorca

En la noche entraremos (In the Night We Shall Go In) (2013)

for SATB chorus a cappella (div.), sung in Spanish, ca. 3'30''

text: Pablo Neruda

Hébé (2013)

for SSA chorus and piano or harp, sung in French, ca. 3'

arrangement of Chausson's song of the same title

text: Louise Ackermann

Hold the Vision to Our Hearts (2013)

for SSAA chorus, piano, and violin, ca. 3'30''

commissioned for Keller High School Varsity Women's Choir "Chanteurs," Chi-Chi King, director, Keller, Texas in the occasion of their honor performance at the Texas Music Educators Association Convention 2014

text: Helen Keller

When You Are Old and Gray and Full of Sleep (2012)

for SATB chorus and piano or string ensemble and harp, ca. 4'

text: William Butler Yeats

Oracle of Spring (2012)

for SATB chorus a cappella, ca. 2'

text: Johann Wolfgang von Goethe

Hjärtat (The Heart) (2011)

for SATB chorus a cappella, sung in Swedish, ca. 1'30''

arrangement of Stenhammar's song of the same title

text: Bo Bergman

Månskenskväll (Moonlit Evening) (2011)

for SATB chorus a cappella (div.), sung in Swedish, ca. 2’

text: Edith Södergran

Prayer of St. Francis (2011)

for SATB chorus and piano, ca. 3'

text: Francesco d’Assisi

Still wie die Nacht (Calm as Night) (2009)

for SSAATTBB chorus a cappella, sung in German, ca. 5’30’’

text: Anonymous

Darest, O Soul (2009)

for TTBB chorus a cappella, ca. 3'30''

text: Walt Whitman

The Cloths of Heaven (2009)

for SATB chorus and piano or string ensemble and harp, ca. 4’

text: William Butler Yeats

Best Wishes (2006)

for SATB chorus a cappella, ca. 2’30’’

text: Mari Esabel Valverde

Après un rêve (After a Dream) (2005)

for SSAATTBB chorus a cappella, sung in French, ca. 5’30’’

text: Romain Bussine

Chamber

Prélude en la bémol majeur (Prelude in A-Flat Major) (2015)

for piano, ca. 3'

in honor of my mentor David Conte's 60th birthday

Pássaros (Birds) (2012)

for flute, oboe, Eng. horn, Bb clarinet, bass clarinet, and bassoon, ca. 2’30’’

Moonlit Evening (2012)

for string quartet, ca. 2'

arrangement of choral work Månskenskväll

David: A Prison of Gender (2010)

for tuba and string quartet or ensemble, ca. 7’

I. His Role as a Son, ca. 2’
II. His Refusal to Cry, ca. 2’30’’
III. His Responsibility to War, ca. 2’30’’

Nuances : Hommage à Debussy (2010)

for solo piano, ca. 4’

Marche des Pirates (2009)

for brass quintet, ca. 3'

ses yeux étaient dans les étoiles (his eyes were in the stars) (2009)

for solo piano, ca. 2'

Snøen (The Snow) (2009)

for solo piano, 1’ – 2’

aleatoric étude

Auld Lang Syne (2008)

for eight-part brass, ca. 1’30’’

Fanfare for Ole (2008)

for brass quintet, ca. 40’’

Man in the Top Hat (2008)

for brass quintet, ca. 2’30’’

Recordação de um sonho (Memory of a Dream) (2007)

for solo English horn, ca. 2’30’’

The Forgotten Letter (2006)

for solo piano, ca. 3'

Winds

Toy Box: The Place of Childhood Fears and Dreams (2008)

for symphonic winds [double bass and piano], ca. 10’30”

I. Toy Town Square, ca. 2’30’’
II. Toy Trains, ca. 1’30’’
III. Jack in the Jester Hat, ca. 2’
IV. The Mobile, ca. 2’
V. Finger paints, ca. 2’30’’

Orchestral

La Danse de Puck (2011)

for full orchestra [Glockenspiel, celeste, and sus. cymbal], ca. 3’

arrangement of Debussy’s prélude for piano of the same title

her first snow (2008)

for string orchestra, ca. 5'

Vocal

The Lady and the Tiger (2016)

for high voice, bass clarinet, and piano, ca. 5'

text: Jacob Rakovan

Cuatro poemas de Octavio Paz (Four Octavio Paz Poems) (2012)

for high voice and piano, sung in Spanish, ca. 12’30’’

text: Octavio Paz

I. Árbol adentro (A Tree Within), ca. 3’
II. Las armas del verano (The Arms of Summer), ca. 3’
III. Insomne (Insomniac), ca. 2’30’’
IV. Regreso (Return), ca. 4’

The Soul Selects Her Own Society (2011)

for low voice and piano, ca. 3’

text: Emily Dickinson

To digte af Tove Ditlevsen (Two Tove Ditlevsen Poems) (2009)

for high voice and piano, sung in Danish or English, ca. 5’30’’

text: Tove Ditlevsen

I. Så tag mit Hjerte (Then Take My Heart), ca. 2’30’’
II. Mit hjerte er blevet borte (My Heart Has Gone Missing), ca. 3’

Then of Thy Beauty (2009)

for high voice and piano, ca. 3’

text: William Shakespeare

After Sunset (2008)

for high voice and piano, ca. 3’

text: William Shakespeare

Love Alters Not (2007)

for high voice and piano, ca. 3’

text: William Shakespeare

How Do I Love Thee? (2007)

for high voice and piano, ca. 3'30''

text: Elizabeth Barrett Browning

Poet’s Entreaty (2007)

for high voice unaccompanied, ca. 1'

text: anonymous